Jan 23, 2018 Last Updated 3:31 AM, Jan 6, 2018

Graphic resistance

Graphic resistance
Published: Apr 12, 2009

Chris Parkinson

The post-independence period has seen East Timor oscillate between stability and conflict. Graffiti, an uncensored medium accessible to all, reflects this instability. Throughout the country, graffiti images draw upon themes of resistance and struggle that emerged during the Indonesian occupation. Today these images reflect the contemporary struggles facing the people of independent East Timor.

The following photos were taken between 2004 and 2008. They are a small representation of graffiti that can be found across the thirteen districts of East Timor. The supporting text is based on what I have been told about the images by various people. It is important to remember that every viewer of graffiti bring his or her own experiences and values to interpreting the images. This means that there could be diverse and alternative explanations for these images.

   Blok I

The Indonesian system of ‘blocking’, where neighbourhoods are named and zoned using an alphabetical lettering system, is still used in East Timor. This burnt and destroyed building on the busy Audian road has a ghostly feel to it. The continuing use of the terminology of blocking is a reminder of how local people still use a foreign and borrowed system to articulate ownership of area.


parkinson02.jpg
   Lingkaran Setan

This piece used to be on a corner block in Audian, a suburb of Dili. It was, however, recently removed to make way for a new housing development. The text, in Indonesian, means ‘Vicious Circle,’ and reflects how some East Timorese see themselves trapped by the cyclical nature of violence.


parkinson03.jpg
   Cry for Freedom

This image was painted by El Diablo (The Devil), a small group of approximately 20 men in the suburb Bairo Pite in Dili. The image illustrates how notions of freedom for many East Timorese were, and continue to be, closely connected to the church. This image is part of a montage of pictures on a wall that adjoins the clubhouse of the group. Despite their name, El Diablo’s activities and artwork are faithful to notions of education and use positive religious iconography.


parkinson04.jpg
   Man in bottom

This image is found in the Dili suburb of Vila Verde. It dates back to early 2000. More humorous than other images produced at that time, this picture serves as a metaphorical description of Indonesia’s occupation, with East Timor assuming the role of the squashed figure inside the bottom of the hulking yellow individual who could possibly be the Javanese wayang character Semar.


parkinson05.jpg
   Lose one, get two

The building on which this image is painted used to be a community health meeting room in the district of Liquica. The phrase ‘Esa hilang dua terbilang’ (for every one lost, two more will take their place) is the motto of Kodam Siliwangi, a division of the Indonesian army that was formed in West Java during the fight for Indonesian independence. The slogan originally has positive connotations. However, in the context of East Timor it is associated with fear. This graffiti was written by troops from the Indonesian Brimob (Brigade Mobil, or Mobile Brigade), and served as an unfriendly reminder of the violence of the Indonesian occupation. According to a group of young people and a community health practitioner who had worked in the building, the text refers to what the Indonesian soldiers would do if an East Timorese citizen escaped their capture: if one individual escaped, two would be captured, tortured or murdered to compensate for the loss.


parkinson07.jpg
   Soeharto (Suharto is crazy! Old man! Alcoholic. Thief)

This image was drawn by children who played in an abandoned building close to an unused doorway down a side street in Kaikoli, a suburb of Dili. The drawing was made in 2004 but was removed a year later. The inclusion of the year 1998, as opposed to the year the drawing was made, refers to the year Suharto relinquished power.


parkinson08.jpg
   Rekonsiliasi

Different parties claim ownership of this piece which is at the back of the old community centre and basketball court in Los Palos, a town in the east of the country. A small gang of children argue they made it, as do the so-called ‘Galaxy Boys,’ a group of established artists and musicians originating from Los Palos. The image captures the multiplicity of sentiments about reconciliation. For some, dancing with the devil is a necessary part of moving their lives forward after independence.     ii

Chris Parkinson (chrs.prknsn@gmail.com) is a photographer and communications consultant who lived and worked in East Timor for four years. He currently lives in Melbourne and is working on a book on the graffiti of East Timor.

All photos in this essay are by Chris Parkinson


Inside Indonesia 96: Apr-Jun 2009



Latest Articles

Review: Identity and pleasure, on screen

Jan 06, 2018 - FADJAR I THUFAIL

Source: Cinema Poetica

Identity and Pleasure: The Politics of Indonesian Screen Culture invites us to embark on a visual journey of difficult episodes in Indonesian history

Essay: Masked but not hidden

Dec 04, 2017 - DUNCAN GRAHAM

Credit: Erlinawati Graham

A small museum in Java is preserving a storytelling tradition, and the thoughts and feelings behind it

Essay: Getting to know you through a pendopo

Nov 13, 2017 - DUNCAN GRAHAM

A look at the journey and contribution of a longtime Australian teacher and researcher of Indonesian Studies

When a history seminar becomes toxic

Nov 02, 2017 - SASKIA E WIERINGA

Attacks on a meeting of survivors of 1965 and their supporters at the offices of the Legal Aid Institute in Jakarta in September 2017 do not bode well for human...

Facing history

Oct 18, 2017 - ELSA CLAVE & ANDY FULLER

Credit: http://www.tribunal1965.org

A witness account of the 2015 International People’s Tribunal on 1965

Subscribe to Inside Indonesia

Receive Inside Indonesia's latest articles and quarterly editions in your inbox.

 


Lontar Modern Indonesia

Lontar-Logo-Ok

 

A selection of stories from the Indonesian classics and modern writers, periodically published free for Inside Indonesia readers, courtesy of Lontar

Readers said:

  • Marriage denied
    Sayed - 30 Nov
    I am from Pakistan and living in Indonesia and I am refugee here. I have been here a long time for 5 years but still I did not get any answer from ...
     
  • When a history seminar becomes toxic
    Duncan Graham - 12 Nov
    Thanks for this detailed account - most reports have been superficial. The politics have been done well, but what about the people? I would have ...
     
  • When a history seminar becomes toxic
    Jose - 11 Nov
    Inciting violence is a purpose in itself - violence begets more violence. Turning a peaceful event into a violent confrontation serves its own purpose ...
     
  • Mining – who benefits?
    uhaibm@yahoo.com - 04 Nov
    This paper has been inspired in relation to the exploitation of natural resources, specifically the coal mining industry. I am doing some research ...

30th Anniversary Book

Inside Indonesia - 30th Anniversary Photo Book

 

Have you bought your copy of Inside Indonesia's 30th Anniversary book yet?

The book features 30 of the judges' favourite images from the 2013 Inside Indonesia Photography Competition.

Preview the book  and order your copy online (Soft cover approx AUD$23.00 / Hard cover approx AUD$35.00).