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Aceh's year of living dangerously
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Written by Leon Jones
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Australian volunteer LEON JONES was living in Aceh in the lead-up to the violence that eventualy left up to 2000 dead.
Tags: Separatism
Military and Police
New Order (1967-98)
Military Oppression
Sumatra
Aceh
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Schooling in Aceh
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Written by Barbara Leigh
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Education should open doors to a brighter future. But when school costs the earth yet yields only failure, is the price too high? BARBARA LEIGH talks with Raziah, a poor mother in Aceh.
Tags: Sumatra
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A veneer of tradition
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Written by Arianne van der Meer
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How strong is local tradition in the face of the modern state?ARIANNE VAN DER MEER attends a ceremony in Sumatra's Minangkabau area, famous for its matrilineal culture. She finds that the cultural symbols do survive. But they are now also tools in the hands of the central government.
Tags: Local Politics
Adat
New Order (1967-98)
Sumatra
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Colonial legacy
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Written by Budi Agustono
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It may be true that Java rules Indonesia. But Javanese labourers in Sumatra, writes BUDI AGUSTONO, have been at the bottom of the heap for generations.
Tags: Colonial period (-1945)
New Order (1967-98)
Work
Inequality
Labour Migration
Sumatra
Java
Aceh
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Two Sumatran films
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Written by David Hanan
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The National Library of Australia now has the most comprehensive collection of Indonesian films available outside of Indonesia. Two films in this collection come from Sumatra.
Reviewed by DAVID HANAN.
The Tiger from Tjampa
Filmed largely on location in 1953 in villages in West Sumatra (the region of the matrilineal Minangkabau people) Djayakusuma's The Tiger from Tjampa is still highly regarded today in Indonesia as an early fine portrayal in a fiction film of aspects of a traditional regional culture.
Set in the 1930s, and narrated like a ballad from the past, The Tiger from Tjampa tells how a young man, Lukman, seeks to avenge his father's murder by learning pencak silat, a traditional form of self defence, based on the movements of animals. The pencak silat seen in the film is regionally specific to West Sumatra. Silat in many other Indonesian films is often mixed with the kung fu of Hong Kong cinema.
This subtly developing drama is exceptional in its evocation of a unique milieu. Almost everything in the film, except the main actors, is from West Sumatra. All the film's quite varied music is from West Sumatra, and so are its dances. In its dialogue the film strikingly uses 'peribahasa' - maxims and proverbs handed down for generations within the oral culture - with their characteristic lilting Minangkabau rhythms. As well, the film displays the intense spirit of community that underlies educational practises in an oral culture.
The Tiger from Tjampa is an excellent film with which to begin to see something of how Islam is practised in Indonesia. It is regarded as an Indonesian classic: one of the 'purest' attempts to represent a traditional regional culture, without the admixture of traditions from other areas or from abroad.
Indonesian title: Harimau Tjampa
Year of production: 1953
Director: D. Djayakusuma
Producer: D. Djayakusuma
Screenplay: Alwi Dahlan
Cinematography: Max Tera
Editing: Sumardjono
Production Design: Ali Akbar
Sound: E. Sambas
Cast: Bambang Hermanto, Nurnaningsih, Titi Savitri, Raden Ismail
Production company/ World sales: Perfini
Print source: Sinematek Indonesia
National Library format: VHS video/Black and white/89 min; Booking no. A12066761.
Pioneers of Freedom
Filmed on location among the Minangkabau people in West Sumatra, and set in the 1920s, Pioneers of Freedom was scripted and directed by Asrul Sani, an Islamic intellectual, poet, short story writer and film director, born in West Sumatra. The film was adapted from various writings by the influential Islamic thinker, also of Minangkabau origin, Hamka. In the film, Sani's adaptation makes a woman the mouthpiece of radicalism and resistance.
The central character, Halimah, oppressed by her husband's jealousy and prohibitions on her freedom, seeks help from an outside Islamic reformer, and seeks to define her own role in Islam. In doing so she enters a complex political world, where issues of religious reform and women's rights are connected with anti-colonialism and social revolution. The film traces Halimah's gradual but thorough radicalisation, both as a women's emancipist and as a nationalist agitator. It also outlines the complex array of political forces emerging at the time, including the communist rebellion in West Sumatra in 1927, ruthlessly put down by the Dutch.
The film's positive and progressive attitudes towards women undoubtedly reflects its West Sumatran origins. The Minangkabau society of West Sumatra is noted for an unusual tension between a strong adherence to Islam, and an equally strong adherence to a matrilineal set of customs and inheritance laws.
Pioneers of Freedom is densely scripted and vigorously directed, and is exceptionally detailed in its evocation of local customs, history and colour. This exceptionally fine and progressive Indonesian film was shown abroad in 1981 at the Berlin Film Festival.
Indonesian Title: Para Perintis Kemerdekaan
Year of production: 1980
Director: Asrul Sani
Producer: Andi Azhar
Screenplay: Asrul Sani
Cinematography: Lukman Hakim Nain
Editing: Cassim Abbas
Production design: Djufri Tanissan
Music: Idris Sardi
Cast: Mutiara Sani, Arman Effendi, Carmelia Malik, Marlia Hardi, Cok
Simbara, Asrul Sani
Production company/ World sales: PT Tati and Sons Jaya Film
National Library format: VHS video/Colour/121 min; Booking no. A12033162.
Films may be borrowed by groups and institutions (not by individuals). Contact the Information Officer, National Film & Video Lending Service, National Library of Australia, tel 06-262 1361, fax 02-262 1634.
Excerpted from 'Notes on Indonesian Films available from the Screen Studies Collection', by David Hanan, November 1994, available on the Internet Web site http://www.nla.gov.au/2/film/indones.html. David Hanan teaches film and television at Monash University in Melbourne.
Inside Indonesia 49: Jan-Mar 1997
Tags: FilmCinema
Reviews
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Battle for the pews
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Written by Gerry van Klinken
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GERRY VAN KLINKEN explores the dramatic conflict within the Batak Protestant Church (HKBP). Environmental protest, military-backed thugs, and guerilla tactics to attend Sunday worship - these are the ingredients of a bizarre story.
Tags: Politics
Christianity
Politics of Religion
Sumatra
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